Please pardon an extremely serious post. A Twitter reference the other day to a novel entitled Abroad, which I had not heard of until then, caught my eye. It is based on the 2007 murder in Italy of English student, Meredith Kercher.
Her murder case is so over-argued on social media, I decided the best way to learn about the book was to seek out “mainstream” summations of it. This first is from Publishers Weekly:
A mystery based on the Amanda Knox saga unfolds…. Tabitha (“Taz”) Deacon, an Irish student studying abroad in Grifonia, Italy, finds herself caught up in the glamorous lives of a trio of beautiful, and close, fellow students while also nurturing a friendship with her quirky American flatmate, Claire….
The first sentence use of the word “saga” is a cautionary flag. So what we have here is the murder of Ms. Kercher reduced to the level of a Twilight installment? Not exactly an opener that indicates (to me anyway) an appreciation of the gravity of the real life subject being fictionalized.
….The similarities to the Amanda Knox story are myriad, and at times distracting, but [the author] explores an overshadowed element of that case: the victim, her thoughts and dreams and mistakes, as well as those she’ll never be able to have or make. “We were all alive, and we loved and hated and lived brilliant, messy existences,” Taz says.
“The [real] victim” has a name: it was Meredith Kercher. While we don’t learn that there, we do discover the tale’s told from the “fictionalized” victim’s perspective. We see noted that a phrase like “messy existences” is even put into her “fictionalized” mouth – as if this is a young adult variation on Desperate Housewives too?
It is worth recalling Ms. Kercher’s real existence was ended brutally. She had been stabbed and sliced no less than forty times. While attacked, she had also evidently been restrained and was unable to defend herself.
Thus that sentence masquerading as a profound observation on lives lived, is in fact a whopper of insensitivity. This seems creepy, disturbing stuff. And not in a “chilling fiction” way.
Next, from a novelist’s review at The SF Chronicle:
….Claire, Taz’s American flat mate, who speaks her mind, adores Taz and spends most of the novel trying to get her away from what she feels is the very bad influence of these girls. Claire’s clearly the moral center of the novel, and she and Taz develop a real and important friendship, until both fall for mysterious Colin, which leads to a stunning betrayal….
According to an Amazon poster, “The character who substitutes for Amanda Knox in this book is Claire.” If that person easily spots who that character is meant to be, certainly that Chronicle reviewer must have too. That any such mainstream reviewer could then label that character “the moral center” shows that to achieve that “substitution” the author must have written Claire quite sympathetically.
Allow me to inject this non-fiction. Having worked in a London university in the early 2000s, my initial reaction to Ms. Knox’s charged involvement in the murder was a shrug: she was unremarkable. Learning over time about her “studies” in Italy merely reinforced my opinion. I recalled how, in British universities, U.S. study abroad students are among administrators’ biggest foreign student headaches: some enroll and rarely or never appear, leaving the universities with no idea what they are up to.
An Admissions officer once told me, “You know who our biggest problems are, Robert? It’s [———-] and Americans.” That’s no shocker. Too many U.S. study abroads are a weird melding of childishness, self-absorption, arrogance and insouciance. They arrive in Europe imagining it’s a decadent playground, and, often away from parental oversight for the first time, they lose their minds.
I told incredulous European colleagues more than once, “Don’t look at me, I didn’t raise them.” Heavy drinking (age 18 in Europe is generally the drinking age), illegal drug use (yes, there are illegal drugs here), and casual sex (not the most intelligent of behaviors at any time, let alone when you’re also drunk, stoned, and in an environment in which you may be linguistically-challenged) are not uncommon among them.
And those who overindulge are often quite “proud” of those “achievements” in “finding themselves.” Much like Ms. Knox was. Pre-murder, apparently she had been having a great ol’ fun time “studying” abroad. (Europe’s just, like, so cool, isn’t it?)
So until the night of Ms. Kercher’s slaying, by all accounts (including the mouthy Ms. Knox’s own gaseous admissions) Ms. Knox’s study abroad “adventures” were hardly a source for a groundbreaking novel. They closely resembled those of so many others wearyingly like herself. Indeed, they were an embarrassment and a slap in the face to the many young Americans who study (and live) in Europe and do so responsibly and maturely.
All that makes this Ms. Knox really unique is that Italian authorities are convinced there is more than enough reasonable evidence proving she is one of three (and the sole American) involved in the butchering of Ms. Kercher. The only people who know the absolute truth of what occurred that night are “the victim” and her killers. Ms. Kercher’s murdered, so, absent honest confessions from those who did it, all that’s possible in these situations is to attempt to piece together what happened to her and who’s responsible.
In 2011, the future Abroad author ridiculed Italian law enforcement’s piecing job. That’s fine. Outright disbelief is certainly anyone’s right.
I had never heard of that author before seeing that tweet; but it appears she has decided mythologizing Ms. Knox is a better way forward than arguing this or that fact as it sometimes appears half the internet is doing.
She seems to have constructed her Ms. Knox as the inspiration for the fictionalized, “quirky American flatmate?” She, from among the thousands of doubtless far more interesting, but also of course largely unknown, young American women who’ve also studied recently in Italy? Again, that’s any author’s right.
However, one would have thought at least waiting for “the saga’s” legal conclusion to have played itself out pre-publication would have better sure-footed any fictional effort. Still, anyone may choose to nail their literary colors to whichever mast one wishes, and whenever one wants. But if the Italian Supreme Court later this year, or early in 2015, upholds Ms. Knox’s murder guilt, well, that will have demonstrated that having retreated into a fantasy novelistic alternative universe had been the only realistic recourse left anyway.
NOTE: I’ve turned off the comments. I’m not debating evidence in the case, and won’t have others do so either in my comments. It belongs in the courts. If you feel Ms. Knox is a victim of a miscarriage of justice, please forward your suggested defense appeal tactics directly to her lawyers.