Available From November 29

….on paperback and for Kindle:

The back and front covers for "Distances" - the print version.
The back and front covers for “Distances” – the print version. Click the photo to go to Amazon.com for Kindle.

And available for pre-order now for Kindle at….



….and at other Amazons worldwide.

This “sticky post” will be up until shortly after that 29th. Unless I decide to take it down before, of course. The reason for it is I just wanted to prominently reshare the full cover and the publication date.

I do that despite also being aware that novelists are not really supposed to talk about what they do. I know. Shush. ;-)

Our Censorious Era (“How dare you write that”)

Following on from that post the other day on For Such a Time, I’ve read here and there about accusations of “racism,” “privilege,” and “Western cultural arrogance” in “romance” and “young adult” literature. That’s not an easy subject to address in a blog post. However, authoring as I do for adults (and not for children), I just wanted briefly to note my view. (Separately, I’ve already addressed the issue of an author spewing hatred while “hiding” behind his/her characters.)

Naturally, not every novel by every writer is going to be fantastic. Still it is chilling to read anything that even vaguely argues authors should be wary about exploring characters who aren’t much like themselves. That could lead, in itself, to writers becoming fearful of trying to create what could be some truly worthwhile literature.

Free Stock Photo: Group of business workers.
Free Stock Photo: Group of business workers.

Continue reading

No, It’s Not About “Political Correctness”

I had not heard of this novel….

Screen capture of the Daily Beast.
Screen capture of the Daily Beast.

….until reading this article by author Warren Adler in the Daily Beast:

The recent flap over the romance novel For Such a Time, whose plot features a concentration camp inmate falling in love with her Nazi captor, has aroused the wrath of various critics and readers on grounds that it is too discomfiting and disturbing to have been published.

While I can understand why some readers are offended by the premise, it smacks of political correctness gone awry. The problem is that it has invaded an art form that can be dangerously compromised by the basic tenets of political correctness, which posits that any expression or attitude that discomfits others must be excised from all forms of public communication.

I’m more concerned about my own books and my own readers than “wrathing” at other writers and fixating on various “flaps.” So I missed that “flap.” It is explained in more detail here in Newsweek:

Continue reading

Hatreds On The Pages

Do you write “angry?” I try not to. However, I will admit there are times when I let loose.

I have all too often sat in front of my PC or Microsoft Surface, found myself feeling infuriated, and slammed keys and took it out on the pages. Briefly, I’d feel better, yes. But after I went back and reread my “tantrum,” I usually toned it down considerably.

For eventually I remember what I’ve also written about here recently. Be careful: your words are forever.

Continue reading

Friday ’80s Musical Interlude

As we know, fictional characters say (or think) what is obvious to them, but what is also not necessarily clear to us. Often we’re “eavesdropping” on them as well. So at any given moment we may know more than they do, or know less. It all depends:

Excerpt from
Excerpt from “Frontiers,” on the iPad app for Kindle. Click to expand.

Incorporating subtle references to the 1990s and the years just prior (which are part of their own “recent” life memories), is just a bit of fun. Music, television and film favorites are part of that. We know life can’t always be treated so seriously, of course.

Continue reading

The Many Shades Of Envy?

Another installment of that book series is upon us. A Newsweek reviewer (interestingly, by name a man, although the books do appear aimed primarily at women, and are written by a woman; but I don’t want to disgress down that path here), disparages it this way:

Cinemax softcore masquerading as fiction

Really? So then it’s perfect to adapt into a possibly “award-winning” cable TV series? Just shift the tale and main characters to, say, Rhode Island?

Evidently this effort is told from “Mr. Grey’s” perspective. You must know him by now. He’s the fictional character some appear to confuse with an actual person.

A couple of weeks ago in the Telegraph, Michael Deacon (again, a man; and again I’ll leave the issue there) had fun with it. He “imagined” its opening chapter. Here’s an excerpt:

Continue reading


Although it’s only 45 minutes away from where we live now in Wiltshire, and had been about an hour from where we’d lived previously in Dorset for a decade, we had never been to Stonehenge.

Saturday night, on impulse, we thought, “Well, why not on Sunday?”

Rule 1: Try to get there as early as you can. It opens at 9:30. The web site encourages pre-booking, which we did. Early arrivals have no trouble parking (finding parking can be exciting in Britain) and the magnificent attraction is pleasantly “serene.”

That doesn’t last long. By the time we left about 1 PM, the car park was much fuller. At least two dozen coachloads of visitors had appeared as well.

Welcome to Stonehenge. [Photo by me, 2015.]
Welcome to Stonehenge. [Photo by me, 2015.]

Continue reading

Coming Tomorrow!

Happy Sunday. I’m having a rest today. So no profound, thought-provoking travel, expat or literary blog post. Sorry.

While “relaxing,” I should finish The Winds of War…. TODAY!

I merely want here to offer a coming attraction:

Free Stock Photo: Illustration of a megaphone and announcement text.
Free Stock Photo: Illustration of a megaphone and announcement text.

I want to invite you. While certainly in line with what this blog revolves around overall, tomorrow – on Monday at 8 am UK time/ 3 am ET US – I’ll share a post that is rather different. Here’s my only hint:

Continue reading

In So Many Words

Commenting on my “Marathon Man” post in which I’d shared an extended look at the rough draft of a scene, Naseer wrote:

Interesting to note how Americans are when they meet each other in foreign climes, be it Paris or Kathmandu (Said with affection) Your writing adds a lot of colour. I get impression colour around you is somehow very important?

“Colour” is indeed vital to me. Background. Setting. Personalities. A sentence. A nod. A look. Taking a hand. The tiniest of moments that have the most gigantic of life consequences. As in our real lives.

A major purpose of my site here is simply to convey something daily of what I am. In doing that, I like to share the hows and whys of what I write: a journal of ups and downs. I also touch on broader topics that go beyond just my books, but which are related to my subject.

Continue reading

Because We Love Italy

In the first two volumes, I concentrated (unsurprisingly, I suppose) on three countries: the U.S., France, and Britain. However, I also made scattered references to Italy. I included the likes of “James” having an Italian aunt, “Isabelle” having been to a language school in Rome, “Giorgio” debating Italian girls with “Isabelle,” English “Natalie’s” younger cousin “Maddie” having studied in Florence, and “Valérie” loving Rome as a getaway destination.

I did that for two reasons. First, it’s really difficult not to be wowed by Italy. Millions of us visitors (perhaps you have been one too) are every year:

A famous Rome landmark. [Photo by me, 2013.]
A famous Rome landmark. [Photo by me, 2013.]

Continue reading