The other day, I’d been writing a scene where a vague (or, if you know it, not so vague) reference is made to a landmark 1941 “private eye” film. That I’d had been doing that is a large part of the reason the actor who’d starred in it was in my mind as I’d also written the other day about Kate Colby’s post. Yes, the jumble that often constitutes our human “thought processes.”
This morning I decided I’d have a quick look at YouTube to see what’s on there of that film. I couldn’t believe it. I found this gem: that Maltese Falcon film, cut to exactly 7 minutes’ length:
This extract does not do this Kate Colby post full justice. However, an extract of hers rarely does. Click over: she always makes us think, so it is worth reading in its entirety:
…I’ve spent several sleepless nights reading and re-reading the perfectly poetic prose of Vladimir Nabokov’s Lolita. I’ve spent many an afternoon curled up in my windowsill with Virginia Woolf’s Mrs. Dalloway. I’ve spent countless evenings imagining myself a faceless extra, one of the glamorous flappers dancing in a party from F. Scott Fitzgerald’s The Great Gatsby…
…What if that one book is all I get from that author? What if the next is an utter disappointment, undeniable proof that my beloved novel is a fluke? What if I read a chapter, a paragraph, a sentence only to discover that the author I thought understood me at the deepest level is a hack, a con artist, who knows nothing of human nature?
And what if, when I am a published author, this happens to one of my readers?…
Of those authors, I know Fitzgerald best. The Great Gatsby is, by consensus of opinion nowadays, his “masterpiece.” Although his output over his career is uneven, he’s written much else that is satisfying.
….Speaking to French radio station Europe 1 in an interview … Madonna said “antisemitism is at an all-time high” in France and elsewhere in Europe, and likened the atmosphere to the period when German fascism was on the ascent.
“We’re living in crazy times,” the 56-year-old singer said, calling the situation “scary,”….
….“It was a country that embraced everyone and encouraged freedom in every way, shape or form – artistic expression of freedom,” Madonna said. “Now that’s completely gone.
“France was once a country that accepted people of colour, and was a place artists escaped to, whether it was Josephine Baker or Charlie Parker.”….
That commentary has unsurprisingly attracted attention in France. If you click on the picture below, or here, it will take you to the interview. Her words are translated into French, but one can hear her speaking English:
Obviously she has read and heard various things over the years, and knows just enough “dinner party” banter to sound informed. Listening to her throughout her career one has never been able to suppress a feeling that she is the proverbial “mile wide and an inch deep.” You never quite believe she knows nearly as much as she appears to position herself as knowing.
My uncle has been at me again. Out of the blue, he sent me a Facebook message early yesterday:
Obviously I’ve removed his name and replaced his photograph with a stock silhouette image. As you may know he’s a HarperCollins published novelist (his first books appeared in the 1980s) and also writes screenplays. As you probably also know if you stop by here regularly (Hello again!), he has no idea (yet) that I’ve taken up writing.
His message got me thinking about the process of turning novels into movies – helped along by the fact that currently we’re seeing lots about a newly released major film that’s based on a massively selling recent novel.
France’s classification president, Jean-Francois Mary, said that the movie, starring Jamie Dornan and Dakota Johnson, “isn’t a film that… can shock a lot of people”.
He believes that the movie, which contains nudity and sadomasochism between an entrepreneur and a virginal student, is “a romance – you could even say schmaltz”.
The book was a huge seller in France as elsewhere, and the film will get a wide release there. However, while there have even been protests over the film in the U.S. and Britain about its portrayal of domestic violence, that rating in France is, one might say, a “Gallic shrug.” What Mr. Mary is essentially asserting there is that it’s not really a film that needs to be taken all that seriously by adults.
Americans tend to think of the French as soccer players, but rugby is hugely popular also. Last night, England took on Wales in the “Six Nations” tournament. Those battling for the championship includes those two countries, plus Ireland (including Northern Ireland, interestingly), Scotland, Italy, and, of course, France.
France has long been something of a rugby powerhouse. Yes, really. Many French love it. The national team’s prowess has been a source of great pride.
Like last night, even when France isn’t playing the sport still makes France’s national TV channel 2, on a Friday, from Cardiff, Wales, in what we Americans would term “prime time.” Wales led early. England took charge in the second half and won 21-16.
The international competitions are usually gripping. The U.S. can get up to the top level someday. What’s needed is enough funding and interest.
With the heritage provided by football, we should. Americans are “natural” rugby players. I think the U.S.A. is far more likely to win a Men’s Rugby World Cup before we win a Men’s Soccer World Cup.
Which concludes this sports commentary. Have a good weekend. :-)
Jamie Dornan and Dakota Johnson’s Comments About Filming ‘Fifty Shades of Grey’ Are Kind of Appalling
Previously I’ve addressed the book in general terms – although I have not read it; and I have no plans to see the film – largely because as writers we can’t pretend it’s not there. Indeed it’s foolish for any fiction/ romance author to imagine it’s honestly possible to ignore (for the moment anyway) its reach and impact. It’s that 800 pound gorilla on the bookshelf.
Singer James Blunt has been in the “non-musical” news here in Britain in recent days. He got into a dust up with a Labour MP over that politician’s assertion that artists from elite educational backgrounds disproportionately dominate the U.K. entertainment scene. Many onlookers have sided with Blunt.
One of Blunt’s statements in his very public reply published in The Guardian:
….I got signed in America, where they don’t give a stuff about, or even understand what you mean by me and “my ilk”, you prejudiced wazzock, and I worked my arse off. What you teach is the politics of jealousy. Rather than celebrating success and figuring out how we can all exploit it further as the Americans do, you instead talk about how we can hobble that success and “level the playing field”….
Thus perhaps another difference been the U.S. and U.K. In America, I believe a politician would have instead at that point sought to “tone it down” and “make nice.” Advisors would have been nervously at him, warning, “Don’t alienate his fans! They’re potential voters!”