I received this email yesterday. I was taken aback. I have no idea how TripAdvisor (U.S.?) paired these two destinations for me:
Their bravery cannot be commended enough. They should be invited to the White House. Yesterday these men – 2 U.S. servicemen (one not pictured), a long-time friend, and a British man – sensed trouble on a high-speed Thalys train traveling from Amsterdam to Paris. In Belgium, and unarmed themselves, they reacted decisively:
Reports state one of two servicemen involved (the one not pictured, presumably because he had been sliced with a boxcutter during the melee and was under medical attention) in subduing the assailant is based at a U.S. air force base in Portugal’s Azores.
That post I wrote yesterday about that cover of that, errr, “erotica” novella having created a logo dispute with the Chicago Teachers Union, encouraged me to take time afterward in the day to finish off the Distances cover “officially.”
We’ve all bought books. We know it’s usually the first “contact” we have with one. The cover can be the difference between attracting us to the book…. or not.
As a writer, you could be the next “big thing,” but if the cover’s lousy quite a few people who are put off by it will never learn that. When you indie publish, the decision falls to you. When I was considering what to do for a cover for Passports back in 2013, new to all this, I had searched through hordes of “stock photo” possibilities, including human models. Frankly, most of what I saw was dreadful stuff that made me groan.
Over the last few days, as planned, I’ve spent hours proofreading and tidying up Distances. Headphones in, listening to it as I read along, it is remarkable how hearing your written words helps you focus while you proof. It does make it easier to spot not only the likes of accidentally omitted words and typos, but I find it better reveals the overall flow and “readability” and if there are any problems with them.
You may know already that I like flags – especially when one happens to be a “double flag” photo I’d snapped in France longer ago than I now wish to remember, and which a couple of years ago I realized I could use as a novel’s cover:
And the flags over the rebuilt Fort William Henry, in upstate New York, are pretty majestic blowing in the breeze:
I spent a good part of yesterday with new characters “Brad” and “Clémence,” as well as with a couple of “old timers,” and filling in additional details and description in several chapters. In the process, I dropped in a couple of thousand more words at least. I became so immersed in it all, I lost track of the time.
The afternoon flew by. As I finished up, I realized again just how unwilling I am to let go of “my friends” quite yet. I’m not “done” with them by any means.
I ended up again pondering what could follow immediately after Distances. I know there will be a fourth novel eventually, and I already know its very general contours. But I’m now pretty drained mentally from writing these first three, and I suspect I will need something of a “sabbatical” to recharge.
I had been mulling over the idea of taking “six months” post-Distances and declaring, “Eh, that’ll do for now.” It seemed reasonable. After all, three novels of nearly 100,000 words each over three years is nothing to sneeze at.
While cat sitting for friends last month, I’d noticed this coaster on their dining room table. I photographed it because, being a man, I’m not entirely sure how to take this:
And it made me chuckle. We saw them again last night; they have just moved house temporarily until they move permanently to Cambridge in August. So we got to see their “interim” place in Bath, and she had that coaster on their dining room table once more.
We know there are the “sneak peeks” that the likes of Amazon use to drive sales. But that is not always enough. Much as with musicians who do free gigs and artists who display paintings merely to be seen, when you are lesser known as an independent author it is certainly unreasonable to expect readers to part with money for your work until they believe it is worth it.
So making a novel free is often necessary. Still, it does go against the grain to offer complete free books to enable readers to get to know your work when yours aren’t “shorts” produced every few months for quickie consumption. It’s a lot easier psychologically to give away 1 “short” book when you have “16” others out there, than it is to give away a 400 page novel when you have only 2 of them.
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Much is also made of the fact that independent novels, be they shorts or full-length, are imperfect. They may have, for example, typos: